![]() ![]() Amerbach arranged the contents of this book into five progressively more difficult categories, ranging from pieces with little or no coloration, to highly decorated pieces. One of the great milestones of organ tablature (considered the first printed German organ music), where pitches are expressed in letter notation with rhythmic signs above them. Distilled into 6 sections (Absätze) this useful and practical manual instructs the user, “according to current convention”, on 1) clefs, 2) the notation of tempi, notes & pauses, 3) the execution of ornaments & “manieren”, 4) right & left hand fingerings 5) chordal fingering, 6) tonality. $45 įundament zum Orgel und Fliegelspielen. 2 strophic settings a5 and settings for voices, with strings, trombone and bc support. Line-cut of the Königsberg, 1642-1647 edition. 5: Der Liebe Lob-Gesang, auff den Hochzeitlichen Ehren-Tag. Herr Barthel Michell Bräutigam 4: Hochzeit=Lied zu Ehren. Herrn Georg von der Gröben 3: Braut-Tantz. Auff den Nahmens-Tag Herrn Michael Adersbachen. 144 songs for various functions, notated in score, for voices with instrumental accompaniment. Line-cut of the Königsberg, 1648 edition. Line-cut of the Königsberg, 1615 edition. Musicalische Kürbs-Hütte, welche uns erinnert menschlicher Hinfälligkeit, geschrieben und in 3. For voice and instrumental accompaniment. Contents: Partitura der Musica Auf den erfreulichen Namens-Tag Herrn Johann Schmeissen Freude dem Edlen Koyen Hirten-Liedchen Hochzeits-Lied Rechte Heyrats-Kunst Braut- & Ehren-Tantz. For voice with instrumental accompaniment. Line-cut of the Leipzig, 1657 and Brieg, 1657 editions. Leipzig, Cellarius 1657 Arien ander Theil. For voices with instrumental accompaniment. 170 songs, sacred and secular, written for weddings, funerals, anniversaries, and the visits of important persons as well as for the private enjoyment of the composer’s friends. Hardbound in decorative paper with matching slipcase. Composers include Hofhaimer, Isaac, Rener and Grefinger. The tenor partbook contains the complete texts of each lied. Beautiful wood-block printed collection of 80 lieder, a4, appropriate for voices and/or instruments. Line-cut of the Mühlhausen, 1658 edition. Neu-gepflanzten thüringischen Lust-Gartens Ander Theil. Wrappers, in portfolio with marbled paper boards. Marvellous collection of sacred concerti: 8 works a4, 3 works a3, 16 works a2 and 12 for solo voice, all with basso continuo. Wrappers, with portfolio in marbled paper. One piece is by Girolamo Avanzolini and one of the instrumental works is by Massimiliano Fredutii. Vocal settings with basso continuo, ten a2, six a3 and two a4 plus 2 violins. Secondo libro de trastulli estivi concertati à due, tre, & quattro voci con il basso continuo del bizarro Accademico capriccioso. ACCADEMICO BIZZARRO CAPRICCIOSO, fl.1620-23
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |