Art, she says, is her universal language for exploring all the colourful facets of life. She was intrigued by our complex relationship with the material world, especially with those objects which are both consumable fashion goods and important reference points in our lives, celebrating love, recalling events, or reinforcing our dreams and aspirations. Her early works were highly autobiographical but as she progressed, she began to explore the experiences of others. She graduated with the Digitex Art Graduate of the year award to exhibit in the Design Room at Selfridges and quickly established a career as a full time artist. It was here that the idea for Artbags first materialised when she seconded a beautiful but impractical handbag from a top couture house and adapted it into a silicone mould for casting. On her return to the UK in 2001, Debra enrolled at the prestigious Central Saint Martins in London. Art provided a way for her to link the disparate and colourful strands of her life together and gave her a channel through which to express herself. As well as becoming a trilingual communicator, she visited countless galleries and came into contact with the cosmopolitan world of European fashion – all formative elements in the development of her artistic style. ![]() At 21, she left the UK with a degree in Politics from the University of Manchester and worked her way across Spain and Italy, living out of suitcases in hotels. ![]() We have always displayed the emblems that we treasure, but in the 21st century, the curator has become the curated.īrought up by an art teacher and an international agent for luxury brands, Debra was exposed to a unique outlook on art and fashion from a young age which helped to develop her intriguing style. Playful and provocative, her work examines that modern phenomenon of self-curation, how we present ourselves in both the material and digital worlds and how the objects we carry reflect our sense of self. Rather, she brings the concept into a contemporary sphere, where branding, commercial and personal, is more important to us than ever. With their sleek originality, luxury and sense of familiarity, Debra’s compressed resin sculptures, three-dimensional wall art and lightboxes owe much to her love of pop art, but not in the classic sense of vintage or retro tropes.
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